I have been spending some time in the graphics studio at #SundsvallsKollektivverkstad Here are some works in progress. Please bare with me on the poor quality of the photos and stay tuned for the end results.
The piece “Window” needs something more. I’m not quite sure what it is yet. I have only printed one layer here.
The first layer of “blue sun”. I’m planning to make three layers on top
The plate is ready for the printmaking process with its second layer on top of the already printed motif. I hade only a few minutes to make the second layer before the paper went too dry.
Here you can see the result of two layers in my monotype. First the black and blue and second the pale shade of #davesgray
Yesterday I tried a new technique together with the graphics group called Monotyping. You basically lay different oil colors (or watercolor) on a flat surface and the press the paper upon it in a graphics press. Often abstract color effects occur and there is no need for making an etching or patterns. The method is a bit faster than other graphical methods and it was quite liberating experimenting with colors like that.
Its not really my style but I figured I can print patterns on top of them later to tell the story I want to tell. Anyway this is what I ended up doing:
Have you ever tried Printmaking? Which method do you prefer? Dry point, Copper etchings, Monotype, Collagraphs… It would be nice to hear what you guys like.